Based around the central machinery room on the 3th floor of the fx.Center with AV router, VTR's from Panasonic (D-5), Sony (Digital Betacam, HDCam) and BTS (DCR-500) and other peripherals, TeleFactory uses Discreet Inferno/Flame/Flint, Avid Adrenaline/Symphony/Media Composer, Autodesk Maya and other tools for editing, compositing, grading, VFX and colour correction, audio mixing/editing (Digidesign ProTools, Augan systems, Audio Cube and SSL Axiom console with 7.1 monitoring from Meg-Audio Geithein) and DVD Authoring.

TeleFactory invested into uncompressed HD film production with a Clipster V1.0 the best solution to provide 16-Bit RGB 4:4:4 and YUV 4:2:2 processing with all bandwidth and quality benefits coming with it. TeleFactory constantly moved forward into Digital Intermediate and upgraded their Clipster to a fully equipped version with colour correction module recently. The Clipster software together with dedicated real-time multi-format hardware is housed in a 5 RU flight case to provide flexibility and easy transportation when needed. The system provides 16 audio tracks, real-time zooming and panning with key-framing, primary (16-Bit integer) and secondary colour correction via JL-Cooper panel, rotation, de-interlacing, time-stretching, file exchange from Clipster timeline to Combustion 4.0 and 1.6 TB dual-stream internal HD storage with 420 MBps throughput.

Adobe After Effects and Autodesk Combustion are integrated tolls on the Clipster workstation, so the operator can switch between them using Clipster as frame buffer to control and monitor the effect tool output. We use Clipster not only for DI production and dedicated mastering workflows but also for presentations on events where timeline controlled playout of HD material is requested.